Touchez pas au grisbi vodlocker1/18/2024 ![]() A broad definition would allow this as a New Wave film, if a bad one. Henri Zaphiratos's Les Nymphettes (1961) is a justly ignored film about the sexual mores of young women and the frustration they engender in young men. Actor Roger Hanin appears later in a cameo, but not before the 1952 Jaguar XK 120 Roadster (matriculation: 71 26 EG 75) he had been driving in Une balle dans le canon (1958) makes its own appearance, driving up the Champs Elysées: In A bout de souffle there is a Ford Thunderbird belonging to the director-producer José Benazeraf, who appears in the film as the man from whom it is stolen. The presence of a particular car can be like the appearance of a particular person in a cameo role. To this quantitative reading we could add a qualitative assessment of the role cars play and the significance they bear. The Internet Movie Cars Database lists 48 vehicles for Les Bonnes Femmes, but only two of any significance (the Cadillac and the Harley-Davidson), whereas for A bout de souffle 121 vehicles are listed, with eleven marked as significant. Vehicular intertextuality is not the object of this post, but we can observe in passing that it is more likely to bear upon A bout de souffle than upon Les Bonnes Femmes.
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